Peter Rolls | Sound Design, Audio Post Production

Sound Design, Audio Post Production

Showreel

A musically edited collection of moments from the projects I’ve sound designed and mixed.

Saatchi Sculpture

A single swing, a single strike, and the destruction that follows. …

Harrods Colour Explosion

Simply breathtaking. Powder paint impacts at over a thousand frames per second.

Jaguar F-Type

The new Jaguar F-Type. Don't just take the corner, own it. Stunning high frame rate photography with unique sound texture and impact

BMW “I Am”

A BMW may not be born of the Middle East but …

LEGO DC Super Villains

The supervillains of the DC Universe are the star of the next Lego action-adventure game. Sound design, sound mix and even some additional character voices.

Nitro Warriors – Nemesis

A Lotus Esprit attempts to deftly outmanoeuvre all enemies in its path, including a couple of cunning twin predator Chevrolet Camaro's and a menacing Lamborghini. But at the end of the road darker forces await...

Ronaldo – Give Blood

The man, the legend helping raise awareness in this blood-drive campaign.

Peru: The Generation With a Cause

“We’re trying to use gastronomy as a social instrument,” says Ocampo, who …

Virgin Active – Tough Mudder

Mud, glorious mud. Another high-frame-rate piece with some seriously syrupy mud sounds.

Chevrolet Camero

The All-New Chevrolet Camaro can go from 0-100mph-0 in 313m. So we came to the Skydive Dubai Runway to put it to the test. The results, well they speak for themselves.

Nismo Vs Wingsuit

Sound design, music edit and sound mix / dub on this incredible wingsuit film produced right here in the studios

Jackie May

Creative Director
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It was a Saturday night, and such a Sabbath as followed! Ex officio professors of Sabbath breaking are all whalemen. The ivory Pequod was turned into what seemed a shamble; every sailor a butcher. You would have thought we were offering up ten thousand red oxen.

I have given no small attention to that not unvexed subject, the skin of the whale. I have had controversies about it with experienced whalemen afloat, and learned naturalists ashore. My original opinion remains unchanged; but it is only an opinion.

For the strain constantly kept up by the windlass continually keeps the whale rolling over and over in the water, and as the blubber in one strip uniformly peels off along the line called the “scarf,” simultaneously cut by the spades of Starbuck and Stubb, the mates; and just as fast as it is thus peeled off, and indeed by that very act itself.
The men at the windlass then cease heaving, and for a moment or two the prodigious blood-dripping mass sways to and fro as if let down from the sky, and every one present must take good heed to dodge it when it swings, else it may box his ears and pitch him again.

Jackie May | Peter Rolls | Sound Designer and Post Production Audio Mixer